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How to survive – and keep on artistic track – in that ever-changing environment became a conflict we tried to explore.” “Mumbai can influence your psyche, insecurities, aspirations. Tamhane, born and raised in Mumbai, agreed. We didn’t want to show the city as a postcard.” The character of this movie is Mumbai itself. “We checked every lighting, every wall color. “It was beautiful teamwork, great prep,” Sobocinski said. Story of Michalina Wislocka” had won the best Polish film award at the Camerimage Film Festival. Emmanuel Lubezki suggested Michal Sobocinski, whose film “The Art of Loving. When Tamhane asked who would be a perfect cinematographer for the project, Cuaron’s D.P. His faith and support have been a gamechanger.”
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“He was involved in spirit while I was writing, and gave me tips on editing. “I observed him working on set and in post-production on ‘Roma,’ and we became friends,” he said. Tamhane explained how Alfonso Cuaron became an executive producer on the film after he met him through the Rolex Mentor and Protégé Arts Initiative program.
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As Aditya has spent almost 20 years learning classical music himself, Sharad’s journey was very relatable to him.” “We asked him to undergo a transformation and he agreed, despite being a busy professional. “Even Aditya at one point didn’t make it because he looked different,” the director jokes. Tamhane needed a practitioner of this style of music who spoke Marathi, had screen presence, could act, and was able to commit. As of now it’s not even a question, there is no gender disparity in this field.”įinding an actor who could carry the film, wasn’t easy. “It was a very male dominated world, but it started changing in the 20th century, after Independence. Tamhane started the project with zero knowledge on the subject, he said, but two years of reading, traveling, interviewing and attending concerts made him “obsessed with it.” This environment is not as male-centric, as one could presume, Tamhane said.